How Acting in Stage Plays Restored My Lost Hope | Geert Van N | Ajay Tambe

[00:00:00] Well, I didn't have a regular childhood like anybody else. By the time I started my first

[00:00:07] Federation in a TV series, after that I broke my entire left elbow. So yeah an accident at school, and it had big consequences because I had to undergo in a period of almost four years three operations.

[00:00:27] We get to use my arms, like... How, how can we help a whole way?

[00:00:32] I was 13 and a half, around 15, 16. I had to do the role of Peter Pan and that was a...

[00:00:40] Yeah, that's memorable to me because it was in our brand new

[00:00:44] Ariane theater, very big place and a lot of people can watch you, that's wow.

[00:00:52] Now, at that end, good amount of attention that you go out from those people and that's what you look at, but like they all say, you get wiser when you get older at the time.

[00:01:05] I just wanted to do the thing that I wanted to do without knowing all the knowledge that I know today,

[00:01:15] there was so much of thought put into that, like, "Hey, this will happen, that will happen"

[00:01:19] I was just, you got some fresh air from that particular phase at AI. It's good that I am in this kind of moment in my life.

[00:01:26] Welcome to "Praytio Iostat" in podcast, I am Ajaythambay, the host supervisor of the show and today I have with me the guy who signed up for the nights of Iveline, a month or two back and we did the project.

[00:01:44] More importantly, his professional actor is doing theater, he's doing TV, he's doing films and I guess he's currently shooting for a film.

[00:01:51] His name is Kurt Van Nuhon-Woe. Kurt, welcome to the show.

[00:01:56] You really, really please help me with your name. Please, please, please do.

[00:02:01] How are you pronounce that? How are you pronounce that?

[00:02:05] how are you from Neewon-Hoe?

[00:02:06] Neewon-Hoe.

[00:02:08] Yes, indeed.

[00:02:09] Kurt Van Nuhon-Hoe.

[00:02:11] Yeah.

[00:02:12] Okay, okay, I just going to redo this again. So welcome, welcome to the show, Kurt. How are you doing?

[00:02:18] Good. Thank you very much. Thank you for having me.

[00:02:21] Okay, great, great. So look, this interview is all going to be about how you started as an actor.

[00:02:27] You didn't go to Mount of Film Times, seeing your behind the scenes with taking workshops and all, all is going good.

[00:02:32] But can we switch back to the place of how this interest in this field of acting happened?

[00:02:41] But how was your childhood? So please tell all the lessons about where you grew up, what was the state, please Regent.

[00:02:48] Well, I didn't had a regular childhood like anybody else.

[00:02:55] Okay.

[00:02:56] By the time I started my first configuration in a TV series, after that, I broke my entire left elbow.

[00:03:06] So yeah, an accident at school and it had big consequences because I had to undergo in a period of almost four years, three operations to get to use my arm.

[00:03:26] How old were you? How old were you?

[00:03:28] I was 13 and a half. 12, 12, 12, 12, 12, 13 and a half.

[00:03:34] And the entire process took me almost four years that I had to do bodybuilding, heavy lifting because I had one look and that was that I had very flexible muscles,

[00:03:49] although I had to amputate my left arm and yeah, it had a big impact on my life and on me mentally of course also on my parents for helping me and things change when you change.

[00:04:08] People react different to you. I couldn't do a lot of things anymore, a sport out of the question playing video games,

[00:04:18] out of the question you need your two hands for the control and everything so during those four years.

[00:04:28] 13 to 17, B.I.W.

[00:04:30] Yeah, I noticed a lot of change a lot and I had the chance to have a working actress who took pity on my situation and who invited me to an acting class and from that's all I was.

[00:04:47] That's how you saw the acting.

[00:04:51] So, still girl, how was your childhood? What kind of student were you like? You completely into arts, sports person, what was that?

[00:05:02] Yeah, I was the exception of all the other classmates. They were mostly into football going out those things and I was mostly into theater acting creative things and

[00:05:16] it made you feel like you were alone in everything you wanted to do. Great, great. Which was your favorite sports? I love to do a Batman tone.

[00:05:28] Batman tone. Oh, so your elbow caught it. How was that period? You told me all your elbow, the badmending Australia. Yeah, that's how painful was that? I did it very well to the part of competition level when I was younger and I really had to.

[00:05:46] Stop that because you have to switch. Yeah, and I couldn't do that anymore. Swimming cross over other sports handball over so sports basically reduce to fitness and Let's wait.

[00:06:03] Just body movement. Yeah.

[00:06:05] Okay. God, that's the biggest transformation I've been here in the age that happened to you, I guess.

[00:06:11] That completely like your mind was completely blown out what to do. You need to tackle with your mind and with your heart at that point.

[00:06:21] You want to play the sport, but you can't and that's a whole battle that's going on.

[00:06:24] 17 you told me when you met an actress who did a pity and who was like, "Hey, I can help you out with acting kind of thing."

[00:06:35] So what was that? Please tell me you mentioned that some actress helped you out and that's where you got started into this industry. What was that period? What was going on in that moment?

[00:06:47] When you're looking at the school in high school or how much you find your.

[00:06:57] I had an open door day at the art school and I was always always interesting in going there, because of my arm because I did my regular studies and I didn't have much support at that age.

[00:07:16] I went over to look at some things and she encouraged me to go on. So I signed up during that year and that was my main.

[00:07:30] No full acting. Yeah, and also, way to relieve pressure of everything else. Because if everything you like to do falls away, it's not that you fall in a black hole, but

[00:07:44] you're searching for a way out to do something that you really still can do that makes your matter along with all the rest.

[00:07:52] Yeah, completely completely too. And I love this part of you. You were actually looking for something and this is what you know,

[00:08:00] where you know, you were thinking like, okay, I am living the moment. It's back again for me. The way it was for badminton, the way it was.

[00:08:10] Yeah, you started loving life again. You started. Hey, this is something I'm enjoying. I'm getting up early. I'm doing things and practicing.

[00:08:19] So acting is kind of something that puts you up to again, a good amount of energy, kind of positive and motivation, something that made you, I'm, my life is worth something.

[00:08:29] And I am worth something kind of a moment and a feeling inside you. Great to know that. So what, what, like, what was the part in initial theater plays? What part you play like where you just in the siding phase, you're just hanging chairs, backstage and all over you playing the main roles.

[00:08:50] So the transition of you happen from in that two, three years after 17 18. Well, you have to start from the bottom of the ladder. It's clean shape, but it's actually true.

[00:09:00] Yeah, everyone starts like that. Yeah.

[00:09:03] So I learned how to do theater and small role parts. And yeah, I finally got to be good at that.

[00:09:15] Well, that's that's good. So any memorable play that you remember from your, I guess, in initial years that it's so memorable and close to your heart.

[00:09:25] Yeah. When I was around 15 16, I had to do the role of Peter Pan and that was.

[00:09:35] That was memorable to me because it was in our brand new Ariane theater, very big place and a lot of people can watch you that's a wow moment.

[00:09:49] So that is a good amount of attention that you got from those people. Yeah.

[00:09:56] It's still still you get goosebumps about that moment.

[00:10:01] It's nice to talk about the wild of the things you achieved already. Yeah.

[00:10:08] But like they all say, you get wiser when you get older at the time. Yeah, that's true. I just wanted to do the thing that I wanted to do without

[00:10:21] knowing all the knowledge that I know today. I keep record of what I do now. I can prove things that I did back then. I didn't talk about it. They didn't told you you have to do that or those things.

[00:10:36] So if I knew it back then I would have had a bigger record than I have now. Yeah. Yeah. That's you were just being there and enjoying the moment.

[00:10:46] There was no much of thought put into that like, hey, this will happen that will happen. You just got some pressure from that particular face that a it's good that I'm at this kind of moments in my life.

[00:10:58] That that that that was going on. Okay. Great. So.

[00:11:01] Well, Gary. Now. In your extensive career as a performer, how do you approach in the process of bringing a character to life, both in stage and screen, like tell me about how to prepare for role when someone signs you in your film or any stage play, how how is your process of.

[00:11:20] Well, there are two different ways for on stage. I go with the directions that I get from the producers.

[00:11:32] When it's for on screen. I do research about the character, what I have to play.

[00:11:41] What's the part, well, the seeing how I can put the emotion in that character, how I can perform it authentically and believable. So there are two different ways to approach whether you are doing theater or whether you're doing an on screen.

[00:11:59] Okay. Awesome. So any kind of superstitions that you have about playing a role or, hey, I have all this, it performed well. I had this kind of linkage. You know, did well. All kind of socks moment.

[00:12:10] superstitions you have. Well, perform it. No. No, no, no, no. No, no, no, no. I'll create a house. I'll just leave in what I know what I can do. And that mostly helps me.

[00:12:22] Well, that's good. That's good. You know, it's like sticking to your process. You don't want to have it your attention anywhere else. It's like, yeah, just get the job done and just have lunch or dinner, but that could sleep. Yeah. Great. Great. So tell me about

[00:12:39] There was a question I forgot. I'll just get back into it. But what are the key differences in your preparation and execution when transitioning from performing in a live theater to setting to working on a film or TV. What I mean by this is there's a process of you receiving a script and then there's a format, which is film and theater. So how the preparation and the execution to the stage and to the screen.

[00:13:09] How you defer that, how you follow those things like because there's a voice difference. You know, you don't have to scream and shout a lot improves it.

[00:13:16] But there's a lot of settings involved in the business part where you know, you don't have to move your head. There's a lot of things happening behind the camera where you just have to be still and the whole thing is happening behind you. And then there is a VFX that helps the

[00:13:28] describe the describing that holds him. But in theater, it's like you have to move around your legs and hand everything else. All body and then the scene is described. So how you approach how you go from preparation to execution in both the videos.

[00:13:42] It's turning the switch in your mind when you're doing theater, you know, that the performance that you have to do is big so that people behind at the last row can actually hear you.

[00:13:58] You know, to listen to the director to see how everything goes compared to when it's for TV or film at camera, you have to mind the volume of your voice. You have to think that you're not doing overacting.

[00:14:22] Besides of keeping count of what you have to do in which place.

[00:14:26] Oh, yeah, that's true. Like you have to be very calculated about what's happening on camera.

[00:14:31] On stage, stages much like yeah, you get a liberty of in the same you have to be able to listen to the directors and to change when they ask you something that's key in what.

[00:14:48] Yeah, that's that's in front of in the situation that's voting are you talking about both in stage and theater, stage and film or just about film.

[00:14:57] Yeah, it's for it for both the same when director in theater is giving you directions on how to do it.

[00:15:06] Yeah, you have to listen to good and when it's on screen, it's a bit more difficult because you have to interact with your co actors.

[00:15:18] You have to have that authentic feeling that you're listening to them too listening to the director and there's a multitude of things you have to do as an actor.

[00:15:28] Yeah, compared to what you have to do as in the theater, right, right, completely and I guess most more often the impromptu things, maybe having on television and film site, because you know, they may change line and then they reshoot that thing or in the theater.

[00:15:43] It's not like once the place done many perform and then that's the script. You know, there's no changing happening before a lot of improvisation happened, but instead plays perform.

[00:15:52] It's that's the thing. That's the whole thing.

[00:15:54] But I guess the impromptu like, you know, you said one line and it didn't work, I had to come and check some checks some lines and you can new line and that's your line and then you have to do that.

[00:16:05] Yeah, that's that's the one thing that immediate that you have to be very, obviously aware when you are performing on a film set.

[00:16:13] Or TV's the televisions shows who you because lot of impromptu things may happen, so be more aware and that's the one thing I can you can everyone can take it up. Okay great.

[00:16:24] Now here's the thing what's the standout moment for you as a stage performer and another as a film or TV actor.

[00:16:32] And why are these moments particularly remember like, for example, I'm talking about a play that really changed your life or a play that give you hey, this could be my

[00:16:43] career and film and TV hey, I could have a long career or this, this film really stayed with me. It changed something inside. So these are something that you close your eyes after 10 years and you still remember that

[00:16:55] Like hey, this is the sound. This is something, you know, those were the things where you know, I felt like this is it. It's going to happen.

[00:17:03] Can you share?

[00:17:07] on theater. It was that Peter Pan played that I had to do in the big area. Um yeah. Yeah. It was memorable for me for two reasons. First of all, I was still

[00:17:19] Recuperating from my third operation on my arm.

[00:17:25] And the second thing was all the teachers that I had, according to the years were there to watch it and as a student, you still have something

[00:17:37] Right. And you want to show that you you learn the lesson they've taught you and and can do it in practice. So that was certainly

[00:17:47] Something not to forget for me.

[00:17:50] On the part of the acting,

[00:17:55] what it's always memorable for me about the part that I had

[00:18:02] As a former actor in a commercial for a lot for a French lottery. Oh, that commission. So you're saying it's not a film. It's a commercial. Yeah and

[00:18:13] You may be know that guy who's doing your millions for years now. I wrote a French variant for France for two years.

[00:18:29] Okay, wow, you send me that commercial or any link. I can, you know, put it out once once this video gets out. I have to look it up because

[00:18:36] It's being

[00:18:39] Is only in France. Everyone involved, yes.

[00:18:42] Okay, only in France. Okay, no problem. If you get it before the release of the interview in Paris, I can put it out on social media and then people can more relate with it.

[00:18:52] Okay, so using that commercial was the thing come that people commercial

[00:18:57] Actually really memorable that was the thing. I guess those are very starting point Peter Panley was very starting phase of your career also this where I guess commercial came before

[00:19:07] television or film so I guess that was the

[00:19:10] Moment where you are feeling your nerves and everything like you're feeling everything happening around you and that is really special. Okay, go on. So now

[00:19:19] Rise of just to go kill in it

[00:19:25] Okay, with the rise of digital platforms like already. I'm talking about Netflix Hulu, Peacock and a lot of others

[00:19:32] I know there must be a regional in in Belgium France. They may be other OTT platform that's going on there

[00:19:38] But with the rise of all this OTT platforms, how do you see the future of life theater and how does it?

[00:19:45] I mean like

[00:19:50] It's oddity, you know, it's going to rise and the whole thing is to have him. Oh, it is the TV now

[00:19:55] So every television show which was which we used to watch on television now. It's a Netflix or now it's on Hulu or now it's on Amazon

[00:20:03] prime so

[00:20:06] There's a lot of attention going on between media songs. It's not about

[00:20:10] X was as why it's all about in between them that ancient fighters it between them

[00:20:16] How do you think it's impacting on theater live theater please people coming to watch theater because it's really the shift of

[00:20:22] retention that happened in last vva years I want to know the impact in Belgium impact in France

[00:20:29] What's impact on life theater

[00:20:31] Well, I think in the first year the impact well that everybody

[00:20:36] Got to watch theater our film and the cosinet of their own home instead of going to the cinema complex

[00:20:45] Which resulted in the fact that a lot of cinema complexes

[00:20:48] Stop to exist, you know

[00:20:52] I'm talking about theatre theater theater. I mean like stage please

[00:20:56] Well, it in fact stage please in Belgium and France when it

[00:21:01] It impacted and the fact that the smaller stage companies

[00:21:06] had to merge with larger one to survive and that you know have only the big names

[00:21:14] Only the so it got acquired by a bigger stage companies and that's the merge happen

[00:21:19] So, like it started the back in 2018 2019

[00:21:23] Yeah, okay, okay in 2018 that was a waste. So

[00:21:28] Is it still there a lot of people are just going back to live theater the live stage plays experience?

[00:21:34] and whether it's starting to come with

[00:21:40] Theater companies who are getting back in the game and who are working together with the larger theater places

[00:21:48] It getting back to the normal like it used to be but it's slowly

[00:21:53] Okay, it's a slow process, I guess but what you're saying that

[00:21:58] Previous back 10 years back. There was a small production that could run stage place

[00:22:03] Now it's hard for them to even exist because it's hard to earn a revenue of all the small

[00:22:10] Production theater company to just organize plays and get revenue. So you're saying that okay

[00:22:16] There's only big players big theater stage company or only executing place in today's day 2020

[00:22:23] Yeah, good, okay, that's that's a huge impact that happened like

[00:22:28] But people are finding good there may be new jobs, you know people are from that

[00:22:32] So one thing we can see those entities now hiring because the more show they make they are going to need actors

[00:22:38] Who is going to go for but the the shift is happening in that way, yeah, maybe

[00:22:42] If hope that it worked well for actors and artists for the living in library. Oh yeah

[00:22:50] now

[00:22:52] Here's the thing

[00:22:54] Can share an instant where you felt a profound personal transformation through immersing yourself in a character either on stage or in front of camera

[00:23:07] In front of camera it was when I had a guest role of playing a lawyer to someone and

[00:23:14] When you're actually in that setting and you have to learn all

[00:23:17] The mimic the gestures how to become that person

[00:23:24] It's really satisfying if you at least succeed in it

[00:23:28] Wait

[00:23:32] Now he has a thing

[00:23:35] Mm-hmm

[00:23:37] In the industry in an industry known for its unpredictability. How do you stay motivated and continue to find your

[00:23:44] Passion in your craft after all these years so it's not consistent, you know, you get work one day

[00:23:50] And there's no calls coming to you for months, you know, there's no one calling to you or you tapping on auditions

[00:23:57] And it's not happening. How you deal when things are not clicking?

[00:24:02] Well

[00:24:04] First of all you find the job that you like to do alongside which permits you to still be creative. That's for a while

[00:24:11] and secondly

[00:24:14] Our business has a lot of branches. You can do theater. You can do voice acting. You can be

[00:24:21] an actor, you can do commercials. You have to know a bit your own self to know in what

[00:24:28] you're good and in which way you want to evolve. Like they say in acting, when you start doing

[00:24:35] audition for certain roles, know the types of characters you're good at and in which they

[00:24:43] cost you a lot and go along that way that's the best way to have more success and to evolve in

[00:24:50] other things. Great, great to hear from you. It's really good, it's really good. Here other thing,

[00:24:57] now looking back, what pivotal moment or decision do you believe at the most significant impact on

[00:25:06] your career? Any decision that completely, you know, today what you are is because of that?

[00:25:16] The most important, I think, is finding actually fellow people in the industry that are willing

[00:25:27] to teach you, willing to help you in learning how the entire business works. And that this year

[00:25:37] had been an incredible change for me. Good. Okay, got it. Now, here is the one thing I like to know,

[00:25:46] how you as an actor prepare for an audition, how you prepare yourself for an audition? What is the

[00:25:53] process? Once again to know, hey, XYZ message to you, which is completely fits in your age group and

[00:25:58] on, how do you then go and prepare for a motion? Well, that's what happens after that.

[00:26:03] Well, there are two ways of auditions. You have one, will give you the script, then you can

[00:26:11] research the character that you have to play, that you have to perform, and you can prepare in that,

[00:26:17] know your lines, do yourself, tape, and they're the other one, where you literally get one or two lines

[00:26:26] saying the butler is a self-centered guy, very egoistic, but still proud of himself. And that's it.

[00:26:37] Then what I do mostly is write a scene about that character so I can better interact it so I can

[00:26:45] better make the character come to life for the audition. Great. That's good. You actually go

[00:26:52] and prepare a scene around it, the situation around it, and then you make yourself be in that

[00:26:57] situation in that situation. You go and be in that situation and put yourself in the most uncomfortable

[00:27:04] position, for that particular moment. And you come out of it with a great impact on that

[00:27:10] line, how to deliver that line. Okay, great together. Yeah, that's good. Now, yes, a thing.

[00:27:16] What kind of rules are you approaching? What kind of rules do you think you would like to play

[00:27:25] in coming years? What are your future products? What are you planning? Is there any plan for you?

[00:27:31] I love to play some villain roles, because it's always, I wouldn't say easier to play

[00:27:41] zero, but it's restricting. When you're paying a hero type, you have to act according to certain

[00:27:50] rules. You can't permit anything in terms of deviating from your lines. When as a villain, it's more

[00:27:59] accepted. When you do. Oh, God. Great. Yeah. Yeah. Yeah, yeah, yeah. You, you can't,

[00:28:10] you would like to tap on that particular part, yeah, play well in the villain.

[00:28:13] No, not, not.

[00:28:15] Let's temperate. You are in that role. But you can, you know, uh, get into that characteristics and

[00:28:25] motion to to share its data, villain, uh, character may have or, you know, you can just put your range

[00:28:31] in that particular character and you can showcase that range. And you can get good amount of

[00:28:36] roles, if you get it delivered after that. So, uh, here's the thing. Uh, this makes me curious

[00:28:41] about your training period as an actor, uh, how was it where you trained, please tell me about that

[00:28:47] particular training period in the years. Uh, what basically, what it took out from that period of

[00:28:52] you trained yourself as an actor? Well, I do, um, two types of training, uh, I do online training,

[00:28:58] uh, with people, uh, from America casting directors and famous actors and, um, they directed me to,

[00:29:07] one famous actor who is now a mentor here in Belgium and that, uh, Abbas Fazai, I'll send you

[00:29:15] a thing that everything later on. Uh, he has a school here in Belgium lens, uh, act ACT. And that's

[00:29:24] where I'm now studying. Okay, you're still sharing a, as you're still taking, uh, workshops and all

[00:29:32] and, yeah, of course, cooking your lecture, uh, you have to, uh, continuously, uh, learn about

[00:29:38] new things. Yeah. Yeah. It's another ending process. Yeah, it's like you have to be, uh,

[00:29:44] this is how this whole show happened, you know, uh, it's show back in 2020, uh, was just for voice

[00:29:50] exercise. And one led one thing led to another, the whole world was in the lockdown and I started

[00:29:55] getting, so it's like being in the process and something will work out, something that's a whole

[00:30:00] thing that, uh, that's basic of a different view of an actor. That's the basic thing that you need

[00:30:06] to follow. It's all process and keep on working on your craft every single day. Okay, uh, it's

[00:30:11] got to hear that, I mean, uh, now, the other thing, uh, I had something in my mind, any, any kind of

[00:30:19] voice or projects, uh, you did before, can you recall any kind of projects that you did?

[00:30:23] Yeah, uh, a few months ago, I did, uh, a voice over, uh, for a short film, uh, deep dive. Oh, yeah, deep dive. Yeah,

[00:30:33] for another lens. You still me about the project. Yeah, it was, uh, a short film, uh, futuristic, uh,

[00:30:41] area, um, one, um, who had trouble, uh, recollecting memories and everything and went back to

[00:30:50] a place to experience, uh, those things. And I did, uh, one of the voiceovers there.

[00:30:56] You starting as a kid, where when actors that help to, uh, get into the street and you'll start

[00:31:03] it loving it. You played feet to pan in stage play, uh, in your school lanes to now, uh, yeah,

[00:31:09] to now in 2023, where you were part of nights of Avalon, uh, international project,

[00:31:13] at the same time, you're doing a lot of regional cinemas, television, theater,

[00:31:17] in all these years, if someone who is just starting up, who is looking for her,

[00:31:23] who's looking for some advice from someone who may have some journey like you,

[00:31:27] may not the point pain point like you had where you lost your elbow,

[00:31:30] what something which is very close to that where he has no hope. And what advice you'd like

[00:31:36] to give to him, who's just starting in this book.

[00:31:39] Um, first of all, um, seek out like-minded people, uh, who understands what you're willing to do,

[00:31:49] your creative drive, um, learn the business, uh, know what you want to do, but direction you want

[00:31:57] to go out and learn that part of the business that's, uh, the most important advice that I can give

[00:32:03] people.

[00:32:03] Good way. You can extend your thoughts on this, this is important part. If you have anything

[00:32:08] that you'd like to open your heart on, this is the time you just share your advice. If you have

[00:32:12] anything more, you know, uh, uh, you haven't or you've done.

[00:32:15] That's mostly it about your, learn yourself and where you want to go.

[00:32:22] Yeah. Yeah. Got it. Got it. Uh, any final message, uh,

[00:32:26] that you have to fellow artist, uh, uh, what would that be at this moment at the end of 23 week,

[00:32:33] if you can see, we're recording at this moment. Um, support each other always, uh, because

[00:32:40] you can always, uh, meet something up in a someone up in the future and you have to work with

[00:32:45] him. So support each other. Looking, uh, you are looking at that that things, uh, and it,

[00:32:52] anything that you'd like to share on nights of Avalon, the series, how, how you, how you have a look

[00:32:57] and, like, what's a, take on that particular series? Well, I liked it immediately because I'm, uh,

[00:33:03] also a big fan of, uh, role playing games and fantasy. So it was really well done. Uh, from what

[00:33:09] I heard, uh, of the other episodes. So I was, uh, directly hooked up on it. Yeah. To allow

[00:33:15] a episode series, the nights of Avalon, once and until you when the interview listening, the series

[00:33:19] is out and running and streaming, I'm going to link this series below. I'm currently going to link,

[00:33:24] uh, Gert's episode below the sixth chapter and you might sure that you listen to all the 12 chapters

[00:33:29] of the nights of Avalon and, uh, put yourself when you're listening, going on a long walk,

[00:33:34] just make sure you listen to the 12 episode series, the nights of Avalon, which also features,

[00:33:39] uh, Gert, as our guest door teller in the chapter six, I'm going to link that. I'm also going to now

[00:33:44] link all the social media handles, uh, uh, specifically where you can contact a Gert to be part of your

[00:33:50] project. Anything that is related to your project, you can just contact him. You can just check him

[00:33:55] in, uh, our description, the links, contact list and where platform, wherever the platforms you

[00:34:00] can find him at the same time, you can check out featured, uh, artists page, which is specifically

[00:34:06] for the artists who got featured on the show from last three years. So, uh, that's a page where

[00:34:10] you can find out all the artists, you can check more info about Gert on that page to

[00:34:14] i'm going to link, uh, featured artist page, uh, and then it would be great for all you guys. If

[00:34:19] you follow him, you can feel contact him if you have any kind of work or voice or projects or anything,

[00:34:24] if you want to get him on your show as a guest, uh, you'd surely contact him and I'm going to link

[00:34:29] that, uh, thank you. Thank you so much, Gert. Uh, thank you for being on the show.

[00:34:32] Uh, you can catch him. Yeah. Yeah. I completely forgot about this interview, uh,

[00:34:38] yes, there's a backshoe. Yes, there's something for all the listeners. I was having my lunch,

[00:34:42] uh, it's two, 30 years, we set up a time 10 a.m. 1520 days back, and I did with other artists

[00:34:48] also at the same time. So, I got jumbled up and from last four or five days, I'm editing the scenes.

[00:34:53] So, I'm editing those episodes, I'm like getting a burly, staying late, you know, completing that

[00:34:58] and it's very burning for a period of my life. You know, editing it's really, really active.

[00:35:02] So you need to manage all those times and you just set up all those things to make it work. So,

[00:35:07] I was in time when I was like, yeah, I think I did a little hours.

[00:35:11] I thought like today it's a good time because I was end of the first drop, which is till

[00:35:16] 26th from 20,000 to 26, I was the end of that drop. So, I thought like, okay, now I'm going to have

[00:35:21] an hour. I was having lunch and hey, hey, what about I do? You I guess it's say 1512.

[00:35:25] Please read it. Oh, man, I thought what? But I have a good set up. This is a go where you can

[00:35:30] see, you know, I can get things done quickly at my end and then I thought the first thing I'm

[00:35:36] going to do is do the setup and get things done because you don't know, you know, good to upgrade

[00:35:40] your free because you booked the time schedule the time tomorrow. If I just schedule it, you might

[00:35:44] have something, you know, any workshops and your auditions, anything that you came last

[00:35:48] minute and we might lose it. So, that's why. Thank you. That, I'm just grateful that this thing

[00:35:53] worked out, without, and we did this thing and it was great, but to all the listeners,

[00:36:00] make sure you go and check out Gutch profile is work on where it's platforms.

[00:36:05] He has mentioned in the websites and all. Also, make sure you go and listen to the six

[00:36:10] episode where we feature Gutch as the guest player and you listen to the whole series of the

[00:36:16] next episode. Hi, Emma J Thamy, the host producer of the show and now I'm signing off.

[00:36:29] [Music]